Daring and Suffering -The General

If you lost the war, don't blame me!
Si pierden la guerra, no me culpen!

    --Johnnie Gray, al ser rechazado por tercera vez cuando trata de enlistarse en el ejército sureño contra los yanquis


theatrical poster
Ver The General (9 piezas)
en.wikipedia.org/wiki/The_General (1926)
Plot
In 1861, Western & Atlantic Railroad train engineer Johnnie Gray (Buster Keaton) is in Marietta, Georgia to see one of the two loves of his life, his fiancee Annabelle Lee (Marion Mack) (the other being his locomotive, the "General"), when the American Civil War breaks out. He hurries to be first in line to sign up with the Confederate Army, but is rejected (without explanation) because he is too valuable to the Confederacy in his present job. On leaving, he comes across Annabelle's father and brother, who beckon to him to join them in line, but he sadly walks away, giving them the impression that he does not want to enlist. Annabelle coldly informs Johnnie that she will not speak to him again until he is in uniform.

A year passes, and Annabelle receives word that her father has been wounded. She travels north on the General to see him, but still wants nothing to do with Johnnie. When the train makes a stop, the passengers detrain for a quick meal. As planned, Union spies led by Captain Anderson (Glen Cavender) use the opportunity to steal the train. Annabelle becomes an inadvertent prisoner. Johnnie gives chase, first on foot, then by handcar and boneshaker bicycle, before reaching a station in Chattanooga. He alerts the army detachment there, which boards another train to give chase, with Johnnie manning the locomotive, the "Texas". However, the flatcars are not hooked up to the engine, and the troops are left behind. By the time Johnnie realizes he is alone, it is too late to turn back.

The Union agents try a variety of methods to shake their dogged pursuer (convinced he is accompanied by Confederate soldiers), including disconnecting their trailing car and dropping railroad ties on the tracks. As the unusual duel continues northward, the Confederate Army of Tennessee is ordered to retreat and the Northern army advances in its wake. Johnnie finally notices he is surrounded by Union soldiers and the hijackers see that Johnnie is by himself. Johnnie stops his locomotive and runs into the forest to hide.

At nightfall, Johnnie stumbles upon the Northern army encampment. Hungry, he climbs through a window to steal some food, but has to hide underneath the table when enemy officers enter. He overhears them discussing their plan to launch a surprise attack; Johnnie learns that securing the Rock River Bridge is essential for their supply trains. He then sees Annabelle brought in; she is taken to a room under guard while they decide what to do with her. After the meeting ends, Johnnie manages to knock out one of the guards and free Annabelle. They escape into the woods.

The next day, Johnnie and Annabelle creep out of the woods and find themselves near a railway station, where Union soldiers, guns, trains and equipment are being organized for the attack. Seeing the General in the midst of it all, Johnnie devises a plan to warn the South. After sneaking Annabelle, hidden inside a sack, onto a boxcar behind the General, Johnnie steals his engine back. Two other trains, including the Texas, set out after the pair, while the Northern attack is immediately set in motion. In a reversal of the first chase, Johnnie has to fend off his pursuers. Finally, he starts a fire behind the General in the center of the Rock River Bridge.

Reaching friendly lines, Johnnie informs the local army commander of the impending attack. Confederate forces rush to defend the bridge. Meanwhile, Annabelle is reunited with her convalescing father. The Texas is driven onto the burning bridge, but it collapses, in what would later come to be recognised as the most expensive stunt of the silent era.^[3] Union soldiers try to ford the river, but Confederate artillery and infantrymen open fire on them, eventually driving them back in disarray.

As a reward for his bravery, Johnnie is enlisted in the army as a lieutenant. In the final scene, Johnnie tries to kiss his girlfriend, but is obliged to return the salutes of passing soldiers. Johnnie finally uses one hand to embrace his girlfriend while using his other to blindly salute the men as they walk by.
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Keaton considered it to be the best of all his movies. Audiences and critics would later agree with him, and it is now considered a major classic of the silent era.
In 1989, The General was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It made it into the registry in the first year it was enacted, along with such films as The Best Years of Our Lives, Casablanca, Citizen Kane, Gone with the Wind, Snow White and the Seven Dwarfs, and Sunset Blvd.

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Fuente (extracto)

El maquinista de la General ha sido considerada como la obra maestra de Buster Keaton, en la cual no sólo participa como actor, sino como director y escritor. En la película podemos apreciar las técnicas de las que hacía uso para desarrollar un lenguaje cinematográfico adecuado a lo que el quería transmitir. Varios autores consideran que Keaton supera a Chaplin debido a que el primero demostró conocer perfectamente el medio en el que se desenvolvía y así lo demuestran aquellas escenas en las que se observa a Johnnie corriendo por la parte superior de la máquina o cuando va en la bicicleta. El principio esencial en el que se basa el montaje y el contenido de las escenas en general es el de veracidad y fidelidad. Keaton procura que lo que graba se vea lo más real y creíble posible, no importándole gastar hasta un millón setecientos mil dólares para dejar caer una locomotora al río. Igualmente, Buster no acepta el uso de dobles ni en las escenas más peligrosas, como la de Johnnie sentado en la biela de la locomotora que de pronto empieza a avanzar.

El montaje busca explicar las causas de todo lo que sucede en la historia, no oculta nada, al menos no al público. Se muestran mayormente las acciones paralelas para mostrar lo que hace un bando y lo que hace el otro.

Keaton utiliza la inexpresividad de su rostro para, a través de los distintos encuadres, los juegos de luces y las expresiones de los demás personajes, transmitir gran cantidad de emociones. Su personalidad está completamente definida, así como el uso que hace del lenguaje cinematográfico para alcanzar su más grande objetivo: hacer reír a la gente.

Argumento Johnnie, un maquinista de ferrocarril enamorado de Annabelle, debe salvarla de los malos (del ejército yanqui), que la tienen secuestrada en The General, la máquina de tren favorita de Johnnie. La película está basada en un hecho real sucedido durante la Guerra Civil. Se trata de una adaptación del libro de William Pittenger: Daring and Suffering: A History of the Great Railway Adventure (Audacia y sufrimiento: Una historia de la gran aventura ferroviaria), el cual fue publicado en 1863.

La película desarrolla la historia de Johnnie Gray (Buster Keaton), un maquinista de la Western & Atlantic [1] que tiene dos pasiones en su vida, su locomotora "La General" y su novia Annabelle Lee (Marion Mack).

Cuando estalla la guerra civil, Annabelle pide a Johnnie que se aliste en el ejército sudista para luchar contra la Unión. Desgraciadamente, en el momento en que va a inscribirse no es admitido pues lo consideran más útil en su profesión de maquinista que en su posible aportación como soldado. Annabelle Lee cree que fue un acto de cobardía y decide no hablarle más a Johnnie.

Un año después, Annabelle tiene que viajar porque su padre está herido, y lo hace en la locomotora de Johnnie, al que aún no habla. A mitad del recorrido un grupo de nordistas, intentando enlazarse con el ejército de la Unión en Chattanooga, deciden poner en marcha un plan que incluye el robo de "La General". Cuando llevan a cabo su huida descubren que Annabelle permanece en la locomotora y se la llevan como prisionera. Johnnie intentará recuperar el mismo su locomotora y al mismo tiempo a su amada, aunque desde el principio no lo sabe...