The Whole Earth Catalog was an American counterculture catalog published by Stewart Brand
between 1968 and 1972, and occasionally thereafter, until 1998.
Although the WECs listed all sorts of products for sale (clothing,
books, tools, machines, seeds – things useful for a creative or
self-sustainable lifestyle) the Whole Earth Catalogs themselves
did not sell any of the products. Instead the vendors and their prices
were listed right alongside with the items. This led to a need for the
Catalogs to be frequently updated.
The title Whole Earth Catalog came from a previous project of Stewart Brand. In 1966, he initiated a public campaign to have NASA release the then-rumored satellite photo of the sphere of Earth
as seen from space, the first image of the "Whole Earth." He thought
the image might be a powerful symbol, evoking a sense of shared destiny
and adaptive strategies from people. The Stanford-educated
Brand, a biologist with strong artistic and social interests, believed
that there was a groundswell of commitment to thoroughly renovating
American industrial society along ecologically and socially just lines,
whatever they might prove to be.
Andrew Kirk in Counterculture Green notes that the Whole Earth Catalog was preceded by the "Whole Earth Truck Store". The WETS was a 1963 Dodge
truck — in 1968 Brand and his wife Lois embarked "on a commune road
trip" with the truck hoping to tour the country doing educational fairs.
The truck was not only a store but also an alternative lending library
and a mobile microeducation service.[1] The "Truck Store" finally settled into its permanent location in Menlo Park, California.[2]
Instead of bringing the store to the people, Brand decided to create a
catalog so the people could contact the vendors directly.
Using the most basic of typesetting and page-layout tools, Brand and his colleagues created the first issue of The Whole Earth Catalog
in 1968. In subsequent issues, its production values gradually
improved. Its outsize pages measured 11x14 inches (28x36 cm). Later
editions were more than an inch thick. The early editions were published
by the Portola Institute, headed by Richard Raymond. In 1972, the catalog won the National Book Award, the first time a catalog had ever won such an award.[citation needed] Brand's intent with the catalog was to provide education
and "access to tools" so a reader could "find his own inspiration,
shape his own environment, and share his adventure with whoever is
interested."[3]
J. Baldwin
was a young designer and instructor of design at colleges around the
San Francisco Bay (San Francisco State University [then San Francisco
State College], the San Francisco Art Institute, and the California
College of the Arts [then California College of Arts and Crafts]). As he
recalled in the film Ecological Design (1994), "Stewart Brand
came to me because he heard that I read catalogs. He said, 'I want to
make this thing called a "whole Earth" catalog so that anyone on Earth
can pick up a telephone and find out the complete information on
anything. ...That’s my goal.'" Baldwin served as the chief editor of
subjects in the areas of technology and design, both in the catalog
itself and in other publications which arose from it.
True to his 1966 vision, Brand's publishing efforts were suffused with an awareness of the importance of ecology, both as a field of study and as an influence upon the future of humankind and emerging human awareness.
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